Posts Tagged ‘fiction’

Ghost Stories

Posted: July 2, 2012 in Uncategorized
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Since I read and wrote about Chris Coake’s haunted You Came Back, it’s put me in the mood for a good ghost story. And it made me think of a few of my favorites. Kelly Link’s “Stone Animals” plays with the form/genre, i.e., it plays with the idea of what a “ghost” can be, much like Coake’s book. And I like that as much or more than outright transparent specters.

“Stone Animals” – Kelly Link – Check out this beautiful illustrated edition (with letterpressed cover) of Link’s story from Madras Press

“The Circular Valley” – Paul Bowles – In his collection A Distant Episode.

“Sea Oak” – George Saunders – In his collection Pastoralia.

These are only a few so I’ll probably add more as I remember them.

Just finished Christopher Coake‘s You Came Back – a book I didn’t want to read. There are almost no subjects I avoid reading about. If an author presents the material in a unique and compelling way, I can be curious about almost any subject. That is, unless it’s the loss of a child. As a father, this is the one subject you really never want to imagine, not through your own eyes, those of someone who’s lost a child, or those of a fictional character. Coake’s book is fiction but still I was wary.

I might not have picked up the book if I hadn’t already read Coake’s debut story collection – We’re in Trouble: Stories – and liked it so much. I’d also heard him read and met him when he interviewed for a position in the program where I was a graduate student. I liked him and his stories. And Coake knows a thing or two about grief, so I trusted him to treat the subject carefully.

I wasn’t disappointed. Using a very close third person, he planted me firmly in his protagonist’s shoes and, from the first pages, I was in for the duration. The story is driven by our compassion for the protagonist and his desire, like ours, to know, to understand what we don’t, including himself and his handling of his son’s tragic loss.

I grew up reading ghost stories (from Poe and Lovecraft to the wonderful (true) ghost stories of the Carolinas, particularly those set in the Outer Banks, to the ghost stories (the best of their work) of Stephen King and Peter Straub). I listened to the CBS Radio Mystery Theater on my transistor in bed at night (at 10:00 and long after I was supposed to be asleep) and, when I first tried to write, drafted my own (highly derivative) ghost stories. These stories stirred my imagination, left me both wondering at the possibilities and shrinking from them at the same time–always a skeptic. And Coake takes cues from this wonderful genre,but without exploiting it. His book is haunted, no question.

Coake works from real life and haunts his book with the emotional, spiritual and intellectual challenges there: loss, doubt, guilt, survival, faith/belief, and reconciliation. He employs a ghost story to get at these emotional issues in a compelling way.

I don’t want to say more. I read the book in two days and was glad for it. The book lingers in my (unsettled) heart and mind, and the more I think about it, the more I applaud what Coake has done so honestly–an unblinking look at the horrors of grief and survival.

I talk about the short story at Atticus Books blog.

Puerto del Sol
Vol 47 – Summer 2012

Part I: The Gin and Tonic and Lime

My short story “A Very Wiggly Tooth” is out in the Summer 2012 issue of Puerto del Sol.

This story has had an unusual evolution. I began the story during a lull in the novel draft I have just finished (“For the Love of Mary Hooks”). I find it helpful (at least I did this one time) when a longer draft begins to sag in the middle and I need to kickstart the imagination, I work on shorter fiction or nonfiction. The novel demands such a long stretch of a single note that it’s difficult to hold that note through to the end without taking a breath. Working on shorter pieces feels like that necessary breath.

So it was that I took advantage of a break in the routine when my wife and daughter left me at home while they traveled and wrote a bunch of short fiction, among them the initial draft of “A Very Wiggly Tooth.” I had the key image for “Wiggly Tooth” in my head for some time–the gin and tonic and lime that opens the story.

“It happened when I was seven and losing teeth.

I tell you that because tonight I met a man who smelled of gin and tonic and lime. The smell of my father: the way I will always remember him. Even his last breaths were minted with that sweet cocktail of gin and tonic and lime as I lay over him trying to push air from own my lungs into his. In bars and restaurants, at parties, if I see a man drinking a gin and tonic from a highball glass or get a green whiff of juniper, I’ll go home with that man, if he asks, even if he doesn’t. There is no bitterness there, only pale-green memories of a man I adored.”

I’ve long wanted to tap into what I’ve learned as a father of a daughter–a unique relationship among parental relationships. Like most parents, I suspect, I worry about the million ways in which we fail our children. And by “we,” I mean I. But even the best of parents doesn’t always get it right, for whatever reasons. Yet, our children love us no less for our failures and faults. God help them, they just keep on loving us, forgiving us without even realizing they’re doing so. Ideally, that understanding–our recognition of our own failures and our children’s capacity for loving even the weakest of us–leads to being better parents, better people. In my own obsessive way, each night I recount in what ways I’ve failed my daughter that day. It’s almost always the small stuff–a preoccupation with the computer (“just five minutes, peanut, just one more email to send then…”), a need to sit and listen to the radio for a few minutes, a household or work-related problem to solve, etc. It all boils down to not spending time with her or not spending enough time with her. And that’s all she really wants from me–my time.

I wanted to write a story about a father who fails his daughter in much grander ways–as a dysfunctional, drunk oddball whose grief for his lost wife has proven insurmountable. But he loves his daughter and she loves him and they get by on what seems like that alone. The potential for a maudlin story, I hope, is undercut by the daughter’s strong, rambling voice and the father’s not always sympathetic behavior.

Originally, that potential was undercut by a zombie–that’s right, the father originally had returned as a zombie because he wanted to make sure his daughter was taken care and knew that he loved her, which she was all right with. I think I just really wanted to write a zombie story. I abandoned the zombie and just made him an oddball, but part of me still feels like this is a zombie story.

Part II: The Wiggly Tooth

A Vary Wiglee Tooth
by HLB

The wiggly tooth has a different evolution–the photograph above. I took this photograph because I wanted to make sure I never lost the image. My daughter, the losing of her first tooth imminent, wanted to keep us updated on the status of the tooth. She posted this sign on the bathroom wall to let us know that the tooth was, indeed, “vary wiglee.” I liked the simple posting so much–misspellings, drawing and all–that I left it hanging for as long as it would stay stuck to the wall. Then I took the photograph.

And then the tooth wiggled its way into my story. And then and then and then…

The story employs a rambling (lots of long sentences), first-person narrator (the daughter) developing a non-linear story that often recoils on itself and runs off on tangent after tangent, spiderwebbing finally into a cohesive narrative. The wiggly tooth of the title was at first a red herring that never resurfaced after the first sentence. Later, after the zombie father was removed, it made its way back into the story.

The story and narrator are both unconventional and will probably drive any reader with a short attention span mad to the point of tossing the journal at a wall in frustration and disgust. For those with more patience, I am hopeful you will find what the editors of Puerto del Sol found–a story of a deeply flawed father and his loving daughter.

I sent the story to Puerto del Sol because they are a journal that often takes a chance on an unusual story, often publishing fiction that plays with form but still loves narrative. Thanks to the editors at Puerto del Sol for seeing what I hoped they’d see in this story. / CB

Next time on Animal Planet: I recall a serendipitous glimpse into the world of cockfighting and the wilds of nature after a weekend of adventuring in the South Carolina low-country.